When I got the chance to record an artist of Sizzla’s caliber, one of the most prolific Rastafarian artist of this generation, I wanted to try and bring out the best in him. Praising the Most High, his haunting melodies and chants bless the classic Heavenless riddim perfectly, Also on this timeless riddim was Morgan Heritage, Burro Banton, Chronicle, Bounty Killer & more.

Produced by Bobby Konders

Voiced by Tixxy & Mixed by Dr Marshall at Anchor Studio in Kingston, Jamaica

Released around 2004

•8- Chronicle – My God

I first actually heard this song as a dubplate played by iconic selector Sky Juice on the Metro Media sound system (the original lyrics were “My sound Is the greatest.“) I instantly loved the song but had no idea who sang it and eventually tracked down the singer who hailed from De Le Vega city in Spanish Town. I arranged to meet Chronicle at Jr Reid’s studio, and we flipped the lyrics to My God is the Greatest, and laid the vocals on a version of the classic FM Force’s Sick riddim from Brooklyn NY. Also featured on the riddim was Burro Banton, Duckman , Devon Clarke , Chilla Rinch & more.

Produced by Bobby Konders

Mixed at Massive B studio. Brklyn NY

Released around 94/95

•9- King Kong – Rumble Jumble Life

I first met King Kong in England back in 1991 when I was voicing dubplates for my Massive B sound system. I was always a fan of his songs and vocal – very similar to Tenor Saw’s, since he recorded for King Tubbys & King Jammy’s in the ’80s. I linked King Kong one late night in 1996 at Anchor Studio in Kingston, Jamaica and we recorded a bonafide classic on the fabled Cus Cus riddim. Rumble Jumble Life is another of my proudest achievements as a producer. Also on this version of the riddim is Tristan Palmer, Shinehead, Little John, Anthony B & Burro Banton !!!

Produced by Bobby Konders

Licensed from Rankin Joe

Musicians Roots Radics Band Released around 1996/97

 •10- Bounty Killer – Suicide or Murder

, blazed onto the scene in the early 90s and quickly became an iconic artist who redefined Jamaican music and artistry for generations to come. I was in Jamaica when he was at the peak of his powers in ’95 and gave “Killa” a call; He came to the studio with Burro Banton and laced this furious vocal on a hardcore Dancehall beat and it was an instant smash!

1994